Check the BooksAhead industry stats up-to-date pages for the June 2009 totals from the AAP for book sales, e-book sales and audiobook sales, as well as Census Bureau figures for bookstore sales.
Barnes & Noble, which introduced its iPhone e-reader back on June 29, launched a vastly expanded e-book store today. The announcement of the “world’s largest bookstore” is actually a combination of several existing catalogs, Barnes & Noble’s previous e-book listings, the ereader.com site and the Google Book Search catalog for a total of 700,000 titles, which may be read on iPhones, Blackberry, PC and Mac client software.
The application, largely a re-skinned version of the Fictionwise e-reader application it acquired, is useful (the user agreement references the ereader.com site as the source of user support). BN.com will store books for repeated downloads. There is no information about limits on simultaneous devices or download limits on the site.
The big news is that Plastic Logic has signed on to link its e-reader device that will ship in early 2010 to the BN.com bookstore, a relationship that BN executives described as “exclusive” during a conference call. This means we can probably expect format conflicts between Kindle and Plastic Logic. Oddly, there was no comment from Plastic Logic about this partnership, which draws a significant battle line in the e-book market.
While B&N has endorsed the $9.99 price point for frontlist titles and bestsellers, the store features books ranging in price from a dollar (including many $4.99 books from Barnes & Noble’s imprint, which has specialized in cheap editions of classic literature) to much more expensive e-books discounted from the hardcover or trade paper price, but well above $9.99. Flexibility in pricing will likely be one of B&N’s competitive strategies with publishers.
DRM is prominent in the application. The manual deals immediately with how to enter an “unlock code” for DRM’d titles.
Usability note about the app on most platforms (iPhone version pictured at right): Once installed, the application displays the title page of the user manual, but doesn’t explain it is a user manual or provide any navigation cues. They should fix that. It would be better if the first thing the app displayed was an “add books” dialog that walked the user right a reading experience of their own choice. Manuals, even good ones, are so 1990s. If your app isn’t intuitive, it needs more work. The PC version of the application opens to the user’s library, which is prepopulated with Last of the Mohicans, Sense and Sensibility, Merriam-Webster’s Pocket Dictionary, Dracula, Little Women, Pride and Prejudice and the user manual.
Strange bargain alert: Windows PC users who download and install the B&N e-reader app get six e-books (all pre-selected by BN.com-described above) free, but the offer apparently isn’t available for Mac users.
In the irony department, the fact that Chris Anderson’s book, Free, which is free on Amazon and Google Books, doesn’t appear in the B&N e-books search suggests that while the site is operating it is not being actively managed with the care one would expect. Either that or it’s a judgment by Hyperion, Anderson’s publisher, that B&N’s store won’t have a material impact on one of its important titles of the season.
There’s no way of telling whether BN will get great traction with the e-book initiative unveiled today. We know free reader applications get a novelty bump in downloads, sales from those downloads aren’t guaranteed. BN may benefit from launching the first business day after Amazon bungled the Kindle 1984 “refund,” but was anyone really waiting for another e-reader before jumping into this kind of reading? No.
Several triumphal postings that the RIAA has declared DRM “dead” have been proved wrong. It turns out the Recording Industry Association of America’s spokesperson was not speaking emphatically, but ironically, in reply to a question, “DRM is dead, isn’t it?” The anti-DRM crowd rushed to affirm the truth of the statement, but, unfortunately, DRM isn’t dead. It’s regrouping. The simple fact is that most people, when offered a convenient form of playback with lock-in at the device level, so that they see playback on a particular device as a benefit, are perfectly content to have DRM content.
iTunes continues to encrypt movies and many songs, for example. Amazon’s movie and TV downloads are locked to an application for untethered playback but can be streamed in a browser, making it’s DRM a compromise that splits the difference for most buyers—Mac, Linux and smartphone users can’t play an Amazon movie when disconnected from the store, but the Windows crowd is happy. Amazon’s Kindle is a DRM system that interoperates with its e-books, as are various applications running on the iPhone. DRM is everywhere, often presented as a compatibility benefit rather than a anti-copying system.
I am not arguing for DRM, so please don’t assail me for doing so. The point is that when anti-DRM activists crow about the RIAA’s slowly having learned that treating customers like criminals is a “victory” for open access, they create the impression customers no longer need to ask the question, “Will this play on any device?” In the book world, DRM is so deeply engrained that it is likely most of the e-books sold in the next five years will become inaccessible due to changes in devices and supported formats, DRM being just one of several factors that will change as the market matures.
Compatibility, particularly forward compatibility, should be the key benefit sold to readers. If you are going to sell an e-book today, make sure you are prepared to make it work on future platforms or be prepared for customers to drop your brand and books like hot rocks when they learn others do provide forward compatibility. The easiest way to ensure that compatibility today is to avoid using DRM. Enough said.
Andrew Savikas of O’Reilly’s Tools of Change for Publishing has a very interesting post about the feedback he’s getting from Scribd.com, including email every time a copy of one of his books is sold. This kind of give-and-take allows a very high degree of engagement by the publisher or self-publisher with their audience, something that most booksellers do not think of, let alone build into their sites.
To some degree, bookseller sites need to approach the level of interaction between publishers and bookbuyers that people are increasingly used to in sites like Facebook or Twitter. Reading, however, is deeply associated with privacy, for psychological and political reasons. Auto-subscribing a customer to an author may be too presumptuous but it may be perfectly acceptable for an author or publisher to be auto-subscribed to a reader’s feed, if the reader chooses to disclose it. Then, of course, the challenge is how to use all that information and connectivity to do something meaningful.
Savikas mentions the Digital Sales Report Format, an XML standard for delivering book sales information and David Marlin of MetaComet, who contributed to the standard chimes in to say that it will be the focus on more adoption in coming years. It’s a solid foundation for transparency in bookkeeping, though not a social engagement platform in any sense.
Ultimately, that engagement will take place through the book. It requires more than shared annotations, since some notes and reading need to be kept to the reader, but still be shareable in appropriate situations. Privacy, not total transparency, contributes to thoughtful reading.